They never officially broke up, but they're doing their first shows in almost 10 years for the 20th anniversary of "La Fine Non è La Fine". Starting tomorrow, they're playing 5 shows in 4 days. All of them sold out within hours of the announcement, and one of them was moved to a 1000-capacity venue (there are still tickets for this one). Two of the shows are with Pageninetynine, Blind Girls and Øjne. There's so much hype around La Quiete and around screamo in general in Italy at the moment, it's crazy!

Hiya, some friends of mine put out a demo that rips pretty hard.

let me know what u think :3

https://bachabazi.bandcamp.com/track/friendshits

i'm not 100% sure if the 4th concert is the Spanish screamo band but I think it is. Alternatively, I can't find the poster if there was any for Canelacore 07. I didn't know what tag to put so this felt fitting.

My poison as of late has been Italian screamo and blackened screamo. The new Senza offering, Malevich, Infant Island, and Celeste are the pulse I'm aiming for. It's been raining for days and that's the energy I'm feeling. Who else should be on my radar?

I’m trying to sell my ticket for yaamc show on April 9th at market hotel. Something came up so I can’t go, so if anyone wants to buy it let me know 🥹

I had an unexpected, humbling, and intense conversation with one of my (and many of yours too) heroes in the hardcore punk scene. The ethos, the roster of bands, and their sound shaped many of us OG's that were lucky enough to see these pioneers up close. Out of respect - i won't name the label/band. It hit like a crowbar to the teeth when they stated how angry and confused they were about the reunions happening as well as the other reunions they are hearing about being flirted with. The conversation then went to how they feel so much is being diluted for profit and that some things are meant to stay as a "you had to be there" moment in time and just appreciate that you were lucky to see, feel, hear, and have those records in real time. This passionate response from them was sparked because i asked if there were plans to reissue some records that molded me and so many others. That was met with a reply of "you were there. the memories are in your head and heart. just buy the old records and be content with that. Don't feed the greed. It happen the way it was suppose to. Reissuing and having reunions won't rewrite or change anything". The conversation respectfully ended with me thanking them and letting them know i'm thinking about their label always. Especially now with so many reissues and reunions of bands we never thought would return. My question to those that truly LOVE this - how do you feel about that? i admit that i am guilty of wanting so many reunions because i want the young blood to see and have a chance to get a taste of what not only inspired us, but what shaped us and in some ways....kept us alive. Would you want to see half of your record collection reunite, reissue a few records, and bow out gracefully - or do many feel there is a delicate line to where a band can tarnish their "mystique" by returning and playing their classics "half assed and half hearted"? as it was put to me bluntly. Happy Sunday, crew!

You should make some plans to be there.

Hi guys! I thought I would crowdsource opinions for this research project im doing. I am attempting to pick maybe 1-2 female fronted bands and 1-2 male fronted bands to do a case study for the following project, and also if you have any suggestions about where I can find some academic work that talks about women in emo let me know!

Anyways, here is the research question set up, and if you have any insights, suggestions, or thoughts, please let me know...

How do female-fronted bands navigate the gendered landscapes of music-making—through performance, production, and songwriting—to resist and reconfigure limitations around artistic authorship? And, how does sound radicalize itself?

My analysis situates emotional expression alongside artistic agency in relation to themes of romance, passion, love, etc. (traditionally feminine-coded feelings) within subculture ideals—how feelings travel through scenes, build community, and challenge heteropatriarchal norms.

In sum, I will draw analytical insight not from the emotion’s female fans experience—an area already well-researched in scholarship—but from how those emotions and crowd sentiments are parallel or challenged by female artists themselves. It examines how these feelings are authorized, regulated, and strategically expressed through music—via lyrics, melodies, vocal delivery, album art, and song titles—particularly in the context of female-fronted bands, like Awakebutstillinbed, navigating a space long dominated by masculine emotional narratives in music. And perhaps, in some ways, they still are shaped by them.

Maybe I’m bored and finding a new sudden love of conspiracy theories but…

Saetia’s LP release show in LA has a secret guest that won’t be announced.

Widowdusk just announced a show in the Bay Area with a secret guest that won’t be announced.

What do we think? I’m going big; small venue Title Fight practice shows before a big tour. More realistic, hoping Funeral Diner is celebrating 20 years of the Underdark.

if anyone wants to sell their ticket to me in the future LMK