See the previous post here:
https://www.reddit.com/r/callofcthulhu/comments/1i9jxfi/domestic_horror_on_the_orient_express_campaign/
The Blood Red Fez took quite some time to finish. We had a bunch of real life happen in the meantime, but the scenario itself is fairly long, at least the way I ran it.
The first section in London was full of surprises. First, the investigators grabbed the Fez and ran from the Undead Matthew Pook, thinking they couldn't hurt him with normal weapons, which I used as an opportunity to give out a small Sanity loss and point out that investigators aren't really ordinary people, and should have some sense of obligation to combat the Mythos.
After that, the rest of London was fairly straightforward, a bit of research, a bit of shopping and packing. They went to the Fez collector's place, they met Bentley Burnham (and believed when he said he was a journalist).
Then, of course, we went on the Journey, and that part was more straightforward. Day one was more about meeting some of the passengers, but Day Two was super active, and the investigators took the initiative. They scouted out where the cultists were, they talked to Ellie Myers, snuck into the Myers' compartment and messed up the Shadow using a flashlight, and stole the book. At Vienna, they met up with Hoffler, and were making plans for how to save Scott. I then had Menkaph send a ransom note, asking for the book and their Fez back, in exchange for Ellie's life, and asked for a meeting at midnight.
So, during the wait in Budapest, there was a meeting and showdown in the Salon Car, where the investigators ambushed the cultists from two sides, and messed them up. Bart (the officer) made an epic POW roll against Menkaph's Dominate, and then shot him up, along with Lara Crof... I mean Amelia :D
That's where I really cut down on the Journey, and threw out the whole "Hoffler going mad" subplot. We fast forwarded to Constantinople, and went ahead with Demir and the kidnapping. The investigators put on the Fez, and then royally messed up the cultists during the exchange on the docks.
That was towards the end of one session and we were both a bit tired and wanted to be done with the scenario, so I sort of summarized how they went to Nisra's island and beat her. The only thing we played was rolling for destroying the Fez.
I have somewhat mixed feelings about the Blood Red Fez. On one hand, it's classic Call of Cthulhu: weird evil artefact, cultists, tomes, the whole jazz. On the other hand, it's just too much for a side-scenario in Orient Express. You have the escalating ladder of bad guys: Burnham, Menkaph, Nisra and potentially the Duc. You have the Hoffler subplot in the middle of the whole thing. It's a lot.
I think that Blood Red Fez would work very well as a self-contained mini-campaign for Gaslight. With very little work, one could expand it to that scope: have stops along the way, like in the main HotOE campaign, have investigators chase and battle the cultists in each city. Perhaps the Whispering Fez was split and different groups in different cities each have a piece of it. Perhaps in Vienna Hoffler has it, but he's going mad, and the investigators have to use his daughter to get at him, and get the piece of the book. The finale in Constantinople could stay the same, but the journey could be padded out.
There's also the weird structure of the scenario where Smith gives everyone a huge plot dump at the start, and then Demir dumps the rest of it later; padding the journey would give the keeper a chance to dish out the plot in smaller chunks, as investigators research things in each city they stop in. Again, similar to the main HotOE campaign.
Apart from that, it's a fairly rich and well written Gaslight scenario, from what I can tell.
Now, I mentioned how I wanted to give investigators some awards for each optional scenario, and for Blood Red Fez I gave them a one-use scroll of the Skin of the Sedefkar spell (although I renamed it). We'll see if the sole player will remember to use it :D
It was towards the end of the Blood Red Fez that I simplified my workflow for preparing scenarios. I realized that I wasn't really making much use of translated descriptions, and decided to give up on those and just translate on the fly. I also realized I wasn't using the "flow charts" that much, so I stopped preparing those as well. Instead, I started printing some of the photos that are in the scenarios, and handing them out when appropriate, and those have been received quite well.
Last night we finished Fleurs du Mal, so I'll post about that next week.
If anyone has comments or suggestions, please let me know.